Chapel Off Chapel, James Terry Collective
Director - Alister Smith
Co-Costume Design - Jessamine Moffett
Lighting Design - Tom Vulcan
Sound Design - Jack Burmeister
Press
"What struck me as I entered... was the large impactful set. Harry Gill has excelled with his set design, a well laid out, sprawling lounge," - Alex First, The Blurb
"Immediately drawing audiences into the world of the play, Harry Gill’s set design is simply impressive... the design vividly evoked a Manhattan-chic Upper West Side aesthetic." - Rohan Shearn, Australian Arts Review
"Harry Gill has embraced the camp aesthetic of a Mardi Gras float. Walls of shimmering silver streamers, a bold red carpet with blue velvet furniture, and an ominous pop-portrait of Judy Garland staring down on proceedings—it’s time to “glitter & be gay.”... you’re left wondering if it’s “too gay”" - Chad Armstrong - Cultural Binge
"the production excels in its set design, which is both warm and inviting while subtly reinforcing the claustrophobic tension that builds throughout the play. The intimate staging of Chapel of Chapel enhances the immediacy of the characters’ interactions, drawing the audience into their conflicts and confessions. Every detail – from lighting choices to costume design – reflects a thoughtful commitment to period accuracy without feeling outdated or stagnant." - Georgios Giannarakis, RMITV
"Set designer Harry Gill has performed miracles...filling the Chapel off Chapel space with a deliciously stylised Upper East Side duplex." - Simon Parris, Man In Chair
"Brave and balls-to-the-wall bold" - Nick Pilgrim, Theatre Matters
photo by James Terry
photo by Cameron Grant
photo by Cameron Grant
photo by James Terry
