Chapel Off Chapel, James Terry Collective
Director - Alister Smith
Co-Costume Design - Jessamine Moffett
Lighting Design - Tom Vulcan
Sound Design - Jack Burmeister
Press
"What struck me as I entered... was the large impactful set. Harry Gill has excelled with his set design, a well laid out, sprawling lounge," - Alex First, The Blurb
"Immediately drawing audiences into the world of the play, Harry Gill’s set design is simply impressive... the design vividly evoked a Manhattan-chic Upper West Side aesthetic." - Rohan Shearn, Australian Arts Review
"Harry Gill has embraced the camp aesthetic of a Mardi Gras float. Walls of shimmering silver streamers, a bold red carpet with blue velvet furniture, and an ominous pop-portrait of Judy Garland staring down on proceedings—it’s time to “glitter & be gay.”... you’re left wondering if it’s “too gay”" - Chad Armstrong - Cultural Binge
"Set designer Harry Gill has performed miracles...filling the Chapel off Chapel space with a deliciously stylised Upper East Side duplex." - Simon Parris, Man In Chair
"Brave and balls-to-the-wall bold" - Nick Pilgrim, Theatre Matters
photo by James Terry
photo by Cameron Grant
photo by Cameron Grant
photo by James Terry
